Tag Archives: INTO THE WOODS

Disney Plans a “Mary Poppins” Sequel

Everyone’s favourite nanny (probably) is set to return and reunite with the Banks family in a new Poppins feature.

It’s been clear for a while that Disney is taking a break from animation to expand its love action catalogue. How are they expanding it? By rebooting their animated classics of course. Cinderella has already made mild but consistent waves, while Tim Burton lumbers up for his take on the story of Dumbo. The Disney Expo also saw a sneak peak of the upcoming Pete’s Dragon remake. So what’s left? How about Mary Poppins?

Continue reading Disney Plans a “Mary Poppins” Sequel

“Whiplash”, “Inherent Vice” and “The Lego Movie” all up for ACE Eddie Awards

Oh, I’m sorry…did you think that award nominations were only happening in 2014? Did you imagine that the steady stream of news on the critically acclaimed cinematic achievements of the year would magically finish up when we got to 2015? Well think again man, or woman. You haven’t seen anything yet. Cos it’s on. It’s aaaall the way on.

The latest panel is the American Cinema Editors and the ACE Eddie Award nominations, now in their 65th year. If the name didn’t give it away, the awards are all about achievements in editing, which may not seem all that glamourous but it’s one of those things that if it’s done 99% well instead of 100% then that’s what gets noticed and that’s what ruins a film’s chances at all those lovely awards. A bad editing job is basically a shit actor in an otherwise well performed film.

Despite the fact that it’s a more specific achievement, the film titles are really nothing different to what you’ve been seeing the last couple of months. There are TV and Film categories, but I’ll just be showing the four film categories. Even even though there aren’t any surprises, have a look anyway. Courtesy of Deadline:

BEST EDITED FEATURE FILM (DRAMATIC)

American Sniper
Joel Cox & Gary Roach

Boyhood
Sandra Adair

Gone Girl
Kirk Baxter

The Imitation Game
William Goldenberg

Nightcrawler
John Gilroy

Whiplash
Tom Cross

BEST EDITED FEATURE FILM (COMEDY OR MUSICAL)

Birdman
Douglas Crise & Stephen Mirrione

Guardians of the Galaxy
Fred Raskin, Hughes Winborne & Craig Wood

Into the Woods
Wyatt Smith

Inherent Vice
Leslie Jones

Grand Budapest Hotel
Barney Pilling

BEST EDITED ANIMATED FEATURE FILM

Big Hero 6
Tim Mertens

The Boxtrolls
Edie Ichioka, ACE



The Lego Movie
David Burrows & Chris McKay

BEST EDITED DOCUMENTARY (FEATURE)


Citizenfour
Mathilde Bonnefoy

Finding Vivian Maier
Aaron Wickenden

Glen Campbell: I’ll Be Me
Elisa Bonora



Not a bad looking list really. For my money it will be either Whiplash or Gone Girl taking the dramatic feature award, Birdman or Grand Budapest Hotel for comedy or musical, The Lego Movie for animated and Finding Vivian Maier for best documentary. We’ll fond out on awards night which for ACE is January 30th.

Who’s your pick?

AFI Announces its “Movie of the Year” contenders

It’s getting to that time of year when you’re going to be hearing a lot about the same ten odd movies that are doing the rounds and snatching up awards from pretty much every movie institution. With the Oscars two months away we’re at the bottom of a steep climb, but its always good to see how different people are reacting to different films in the lead-up. Most recently the AFI have announced the films that will battle it out for their Film of the Year. They have a list for television shows too, including Orange is the New Black, Game of Thrones and Fargo, but we’ll be sticking to the films here. So without further ado, the list!

AMERICAN SNIPER
BIRDMAN OR (THE UNEXPECTED VIRTUE OF IGNORANCE)
BOYHOOD
FOXCATCHER
THE IMITATION GAME
INTERSTELLAR
INTO THE WOODS
NIGHTCRAWLER
SELMA
UNBROKEN
WHIPLASH

Not a bad looking list as it goes. American Sniper is an interesting addition, given it hasn’t seen much award attention so far. The only real surprise nominee is Into the Woods, which hasn’t been around nearly long enough to get the same kind of attention as the other heavyweights. That, and it isn’t nearly as serious. But hey, I haven’t seen it yet, so who knows?

Is there a film you think the AFI cruelly left out this year?